Madharasapattinam – Tamil Movie Review

Cast : Arya, Amy Jackson, Nassar, Cochin Haneefa, Bala Singh
Director : Vijay Anand
Producer : Kalpathi S Aghoram
Music Director : G V Prakash Kumar

Firstly director Vijay’s attempt of making a different cinema has to be appreciated. There are some changes happening over the Tamil Cinema as romantic films are being made on different lines that are more experimental as well. Now set in backdrops of before independence period,
Madharasapattinam is a different cinema with some good performances of actors. But screenplay is more dragging at duration of 2.40hrs.

The story starts in London with old age Amy on her death bed wanting her family members to visit Chennai. As the journey starts, Amy’s flashback too commences thereby letting us the secret behind her visit to India, especially Chennai. We get to know that Amy (Amy Jackson),

daughter of British Governor was in love with a Tamil Dhobi (Aarya) and they were separated by fate. The next couple of hours is like revisiting the ancient Chennai with its backdrops and a poignant love story as the main line. Towards the climax, there awaits the most surprising, eyes soaking sequence as the audiences would be puzzled will Amy meet her old Indian boyfriend.

The major plus of this film is the camera work by Nirav Shah and art work by Selvakumar. Musical score by G.V. Prakash is passable and the song Vaama Duraiyamma is good. The British girl Amy Jackson is so beautiful as she will transfix you and has performed well and Aarya too does a great job with his body language and acting skills. The other actors like Poi Solla Porom fame Omar and late actor Haneefa along with Nasser have done justice to their roles.

The first half is very lengthy and audience may be more restless as the major portions are in English dialogues. The pace starts at 20mins after second half.

The film can be watched for the attempts of Vijay on bring the old Madharasapattinam.

Ananthapurathu Veedu – Tamil Movie Review

Banner: S Pictures
Production: Shankar
Direction: Naga
Star-casts: Nandha, Chaya Singh, Master Aryan and others
Music: Ramesh Krishna

Magnificent director Shankar has been producing quite a number of beautiful projects recently, the latest being Eeram. Ananthapurathu Veedu, which belongs to the horror genre, deals with supernatural powers; it is directed by ‘Marmadesam’ fame Naga. Shankar is known to produce movies with a difference and when Naga approached him with different scripts, Shankar was impressed with all the options and gave Naga the freedom to choose whichever he wanted.

But Naga’s Ananthapurathu Veedu is truly different from his gripping TV show ‘Marmadesam’.

The Plot

Ananthapurathu Veedu revolves around a married couple (Nanda and Chaya Singh) and their son Aananth (Aryan), who returns to their hometown to stay in their ancestral house that has been locked for the past 25 years. Nanda’s parents died in a car accident when he was 15 years old and since then, nobody has entered the house. Here, mysterious events happen and the haunting begins.

But unlike many supernatural thrillers, in Ananthapurathu Veedu the spirits wants to express their love and care for the family rather than haunting them.

First, Revathy (Chaya Singh) experiences some unusual activities and begins to suspect all is not well. Slowly, Revathy understands that the unusual events happening around them are due to the spirits of Nandha’s parents who are here to help them.

Trouble began in the form of some goondas who keep following Nanda and his family. Now comes the twist, Nanda and his working partner (Krishna of Chidambara Rahasyam fame) had borrowed Rs. 50 lakhs from a local moneylender and now they are unable to pay it back! This was the reason behind Nandha’s decision to return to their ancestral house after so many years.

Finally, Nanda decides to sell his ancestral house and solve the problem, but will his parents’ spirits allow him to do that? What happens next is a series of interesting events; his mother’s care, father’s dream, long time servant’s concern for the family and above all Krishna’s selfishness (which is the main cause of all his problems). How will the spirits of Nandha’s parents help him overcome all these troubles? This forms the rest of the story with a thrilling climax.

The Performances

Performance wise, Nandha and Chaya Singh have handled their roles with ease and brilliance. But the film stands on the bedrock of Aryan’s brilliant performance as Aananth. In fact, the entire star cast have done their parts well.

Arun Mani Palani has shot the thrilling images of the film; Ramesh Krishna’s music fails to create any impact; Vairamuthu has penned the lyrics.

Of course, it is a challenging task to make a film dealing with the feelings and thoughts of intangible characters. The potential danger is that in the wake of attempting a story in favour of the spirits, the film can become either preachy or boring. Thanks to director Naga’s skill in blending the elements of horror in the narration, Ananthapurathu Veedu has turned out to be a semi-horror thriller, which has a heart in its depth. Horror is one of the plus points of the film.

The Verdict

Ananthapurathu Veedu treats the audience with various twists, thrills and shocks. The director could have edited some song sequences in the first half to increase the pace of the film. The movie is not loud or horrific in terms of ghastly screams and scary figures. It is entertaining in parts and displays family relationships quite well, a clean family entertainer rather than a supernatural thriller.

Tamil Movie Review -Orr Eravu

Production: Hari Shankar
Direction: Hari Shankar, Harish Narayan & Krishna Sekhar
Star-casts: Sathish, Avanthika, Ajay, Asha
Music: Venkat Prabhu Shankar

Come and experience a new experiment over the horror genre. For those brimmed with same thoughts that ghosts would crawl all over the walls, kill its victims mercilessly and protagonist’s vain to put an end is a horror film all about, here’s a surprise.

‘ORR ERAVUU’ travels on a crispier narration as it puts an end to those cliches that were meant perpetual in horror movies.

Let’s keep it short with synopsis as it doesn’t turn to add more attention. A talk show exposes the problem of an individual, who reports that his mansion in Munnar has been possessed by ghosts. A student involved in studies of paranormal sources emerges out to sort out the mystery. Soon as he starts raveling mysteries behind the murders that took place inside that mansion, he is unaware about a gruesome enigma that’s awaited for him.

For those familiar with Hollywood’s ‘Blair Witch Project’, (a film made with low budget film and grossed with biggest collections at box office), this one may not be a new thing to experience. Nonetheless, the technical aspects are far better than the Hollywood film.

With a running length of 90mins, the audiences will surely enjoy this film as the trio filmmakers: Hari, Harish and Krishna have added the right elements of a horror film. The background score hasn’t got more scope, but has some worth-mentioning sound effects. Venkat Prabhu Shankar on his musical take deserves special mention. Since, the film has been crafted out as a docu-drama style, the narration is completely different and serious film lovers will find a lease of experience on it. There are few important sequences that’ll make your senses shudder and remains deep into your memories even after walking out of theatres.

But at the box office level, one can expect this film to do wonder as this release is queued between big tickets like ‘Singam’ and next week release ‘Raavana’.

Raavanan – Tamil Movie Review

Credits: Vikram, Aishwarya Bachchan, Prithviraj, Prabhu, Karthik, Priyamani
Camera: Santoshj Sivan
Music: A R Rahman
Art: Sameer Chanda
PRO: Nikil
Direction: Mani Ratnam
Producer: Big Pictures & Madras Talkies

Mani Ratnam, one of the film maker, who enjoys the top spot from three decades in Indian cinema, has disappointed the neutral viewers with his newly released film Raavanan. Yes, comparing with his previous Blockbusters like Thalapathy, Nayakan and Mouna Ragam, this modern Raavanan is no where and a boring experience!

It seems that the director has completely lost his midas touch and just presented the film with excellent Indian aquatic and forest locations like a documentary video of ‘Incredible India campaign’!

In fact there is no perfect story in the film. It looks like Mani has just collected all the news paper cuttings and made his script. It seems that he has simply copied the outlines of the epic Raamayan and mixed it with the modern day Robinhood Veerappan’s story.

Veera (Vikram), a Robin Hood-like macho man has been portrayed as a Raavanan, and his elder brother Singam(Prabhu), younger brother Sakkarai (Munna) live in a tribal village somewhere near Thirunelveli. Veera runs his own Government and his followers abide to his words. He is the strength of the tribal. Everyone loves, respectes and fears him and even ready to sacrifice their life for him.

Dev (Prithviraj), as described God (Ram character) is the special task force Superintendent of Police and is on the hunt of Veera with other cops and a forest guard (Karthik), a new age Hanuman. His goddess like wife Ragini (Aishwarya Rai) the Sita character, is also with him. In a operation, Veera’s sister Vennaila (Priyamani in the character of Surpanangai) was taken by the special task force and raped her in the police station.

To settle his personal vengeance with Dev, Veera kidnapped Ragini as his hostage for 14 days. Ragini initially feared to see Veera and thinks he is a brutal beast, later discovers that her ‘God like’ husband is no saint and has dark shades in his character, too. When Veera released her without demanding anything from anybody her husband asks her for a polygraph test to prove her chastity. What happens next should been seen on the silver screen.

Technically the film has got some plus points and the main attraction is the amazing camera work by Santosh Sivan. His shots, angles and presentation are simply superb.

The technique of using water as one of the characters has come up as a plus point in the film. It really thrills the mood of audience in come scenes. And the climax fight between Vikram and Prithviraj on the bridge is extraordinary, with picture perfect top angle shots and camera movements.

The major minus in the film is Vikram’s character. Though the actor has worked hard to give life to the character, his efforts has gone in vein due to the psycho nature of the character. There is no powerful moves or spine chilling action sequences (except the bridge stunt). In fact, in few scenes the overdose of madness in his character makes a mockery of the character itself!

The character of Aishwarya is also not convincing. Ash having a change of heart for Vikram is equally unpalatable and makes you wonder, how and when did she develop such strong feelings for Veera? But no doubt, Ash’s appearance steals the heart.

Prithviraj’s role as a tough cop and his loud shouts are irritating. The director used Karthik as a clown, but the case of Prabhu, he is perfectly fitting to the role. Nothing special to mention about Priyamani and Ranjitha.

Another biggest let down is AR Rahman’s music.The picturisation and placement, for which the duo is famous, is alo disappointing. Most of the songs of the film looks like speed breakers in the film. Samir Chanda’s art work looks very artificial, particularly the broken statue amidst the flowing water. Suhasini’s dialogues are very amateur and a fresher can handle this better than her.

The first half of the film is just crawling and testing the viewers patience. It is better Mani Ratnam may try for a straight Tamil film next time.

Moreover the Tamil nativity or flavour or realism are also missing in the whole content.

Verdict: Disappointment

Kutrappirivu – Tamil Movie Review

Production: Green Apple Productions
Direction: Manmohan
Star-casts: Srikanth, Prithviraj, Kamalini Mukherji, Kadhal Thandapani and many others.
Music: Chakri

The stylish teasers and promotional pictures had turned some spotlights on this film. With couple of interesting lead actors – Srikanth and Prithviraj, one could really expect something more from this film. Anticipated as a crime-thriller revolving around police department, ‘Kutrappirivu’ was supposed to hit screens before and has a delayed release today.

Disappointingly, the film falls short off expectations as it carries a wretched plot that in no way goes understandable for any group of audiences.

What’s really happening for the complete 2.5hrs seems to be like an amateur drama.

The film revolves around two police officers Ravinder (Srikanth) and Ravikanth (Prithviraj) fighting against odds in the society. But what seems to look like an egoistic clash seemingly has a different reason to different reason to fight against each other. One amongst them is a baddie involved in conniving acts and other one is unable to trace this culprit.

Guessing who could be the culprit and other one a sincere cop? Take a watch over it on the screens.
Director Manmohan takes on with an unusual theme though it’s a threadbare in terms of plot points. But, he could have elongated the suspense quotients till the last moment. Since, the mystery is disentangled much prior to intermission, you’ll completely loose out your interests. The very basic line is completely fallible and there is no way it would hold your attention.

Srikanth has improved a lot from his previous films as he comes up with a distinctive body language and exhibiting mannerisms of a cop. Prithviraj is cool as cucumber as enacting a cop’s role isn’t something new to him. Kamalini Mukherji and other female lead don’t get much priority. Kamalini’s role is more or less the same as her 8mins role in ‘Vetaiyaadu Vilayaadu’.

Background score by Chakri is finely done while cinematography by Bharani is quite displeasing. Usage of day-by-night shot at unwanted sequences could have been reduced. Editing by Sreekar Prasad is okay while the continuities keep missing between most of the scenes.

With an unconvincing idea dropped on paper, Manmohan stumbles down on conveying them over the screens.

Maanja Velu – Tamil Movie Review

Directed by: A. Venkatesh
Produced by: Vijayakumar
Starring: Arun Vijay, Dhansika, Karthik Muthuraman, Prabhu Ganesan, Santhanam
Music by: Mani Sharma
Studio: Feather Touch Entertaiments
Release date: May 21, 2010

The success of ‘Malai Malai’ has propelled the trio Arun Vijay, director A Venkatesh and producers Feather Touch Entertainments to come together for ‘Maanja Velu’, which is again a commercial mass masala entertainer with enough thrills and spills.

The movie, inspired by Telugu blockbuster ‘Lakshyam’, is racy from the word go thanks to bubbly Arun Vijay. Giving him good company is yesteryear hero Karthik.

The man who is credited with many hits in 1980s and early 1990s, makes a strong comeback in ‘Maanja Velu’. Playing an honest and upright cop, Karthik is impressive not just in stunt sequences but also in comedy.

The whole movie occurs in Tiruchirapallai, where Maanja Velu (Arun Vijay) runs a canteen in the college where he studied. There are a group of people (Santhanam, ‘Lollu Sabha’ Manohar, Ganja Karuppu and Shakeela) in the canteen bringing the roof down with humour. Anjali (Dhanshika), a student of the college, plays a cat and mouse game with Velu before they both fall in love.

Subash Chandra Bose (Karthik) is Velu’s brother and an honest police officer. Their father is a journalist (Vijayakumar) and theirs is a happy family.

Enters Umapathy (Vagai Chandrasekhar), a dreaded influential man in the city. He adopts all greedy ways to usurp others wealth. Bose is after him.

Meanwhile, Umapathy swindles money from a chit fund firm to the tune of Rs 100 crore which Bose is forced to investigate. Bose finishes off Umapathy’s men one after another in encounter. But Umapathy hatches a conspiracy and bumps him off.

Velu keeps the death of Bose a secret and launches a crusade to finish Umapathy. The rest of the film is how Velu takes revenge on the baddie.

Arun Vijay has taken off from where he left in ‘Malai Malai’. He is right there delivering his best. Be it comedy, action or romance. Action comes naturally to him. His body language and dialogue delivery deserve a mention.

Dhanshika fulfills the role of a heroine, appearing in skimpy costumes for songs. Vagai Chandrasekhar plays a baddie perhaps for the first time. He menaces evil in his eyes and looks apt choice for the role.

Vijayakumar, Ilavarasu among others form part of the cast. The comedy by Santhanam, Ganja Karuppu and team, specially imitating scenes from films like ‘Naadodigal’, is a laughathon.

Veteran actor Prabhu does a cameo, which does have a positive impact on screen. But the scene-stealer is Karthik. The veteran has done a commendable job and announced his re-entry with a bang.

Mani Sharma’s tunes are pacy and racy while Venkatesh’s camera is cool. Another highlight of the film is Kanal Kannan’s stunts. A Venkatesh, known for his commercial cocktails, has not disappointed fans this time too. A perfect one for those who love masala flicks.

Maa – Tamil Movie Review Online Now

Starring: Deepak

Direction: Fathima Beevi
Music: Gideon Karthik
Production: Kalai Vizhi

Physical disabilities don’t make a person any different from other normal individuals. That is what Maa attempts to say. And it is done through a story of love. A young woman falls in love with a man. But, she is not aware that her love interest is physically challenged. Would she have loved him in spite of this disability? Anyhow, there comes a time when she has to face the fact. And, she is not able to accept it, blaming him for hiding things from her. But, to cheat her, hiding the truth about himself was not what he wanted to do as there were many instances when he tries to tell her about his disability. But, she always brushes aside anything that he wants to tell her until it becomes too late.

So, does the love stand or does the disability come in the way? At first, she finds it tough to come to terms with the facts. But, then she realizes that a physical impairment is just a peripheral part of life, never to come in the way of love or anything else in life for that matter. She decides that her love is above such issues. She tells him the same, but he reacts in an unexpected way. How does she respond to it with her life?

Maa is more than just a movie; it is a statement. It attempts to say that there is nothing called a ‘disability’. The crew behind the movie itself is proof of the fact that the differently-abled can do anything that a fully physically able person can. Almost everyone involved in the making of the film is challenged in some way or the other, but they have all risen above it to pull off something as big as making a full-length movie. This includes the director Fathima Beevi and the composer Gideon Karthik who are visually challenged.

Maa also attempts to document the problems that the differently-abled face in day-to-day life. The absence of public amenities that can be used by them like ramps and toilets and the unequal treatment that is sometimes meted out to them is also depicted effectively. But, above all the movie shows that with courage and determination, they know how to overcome them.

Maa is indeed a special effort. It might be very clear that this is not the regular commercial outing. It is a story of will and hope in the face of adversity. The movie should serve as an eye opener to society about the problems of the differently-abled while also urging us to treat them as equals.

Singam – Tamil Movie Review

Banner: Sun Pictures, Studio Green, Big Pictures

Production: K.E. Gnyanavel Rajan, Kalanidhi Maaran
Direction: Hari
Casts: Surya, Anushka, Prakash Raj, Vivek, Nasser, Manorama, Vijayakumar and others
Music: Devi Sri Prasad
Verdict: Excellent piece of work
Rating: 4/5

It’s really been a very long time that our movie buffs enjoyed watching a good film. With most of this year’s releases turning to be mere disappointments, Surya’s Singam stands out as a mind-boggling entertainer. Aye! The duo Surya-Hari makes it on for a successful hat trick with Singam as the film proves to be an excellent showpiece.

To be precise, you wouldn’t actually agonize that you have spent 2.5hrs keeping an eye on this film. Hari has penned such a screenplay, which has the right mix of action, fun, frolic, emotions and romance. Surya doesn’t try to touch the lines of typical mass heroes by uttering loud punch dialogues and bashing down hundreds of men at the same time. Of course, there are more action sequences that have logical factors and are sure to win your appreciations.

Set in the backdrop of Nellore, a small town, the film revolves around inspector Durai Singam (Surya), who joined the service incisively because of his father’s wish. He settles every dispute in town patiently with his gentle talks. Then comes Kavya (Anushka), a city girl on vacation who promptly falls in love with him. Everything seems to be marked by good fortune until Mayil Vaaganam (Prakash Raj) comes across Durai Singam. As they lock horns, things take a different turn with second half keeping everyone on the edge-of-seats.

Kudos to director Hari for churning out such a successful commercial entertainer, he has overshadowed all his previous records with this film. Doubtlessly, Singam can be adjudged as a better show than his yesteryear film Saamy for its interesting plot prevailing all throughout the show. Although, it nearly takes an hour to establish the characters and the conflicts, the voltage peak after intermission trivializes such minuses.

On performance levels, Surya is outstanding with his flawless performance. Even during scenes, where he hops up and down doing goofy stunts, things turn out to be incredulously good. That’s all because of his charismatic appeal. His proficiency to emote with the right feel gains him more acceptance as a mass hero.

Well for Anushka, it’s the best film as she gets more footage. Thanks to Hari, for utilizing her potential to a greater magnitude unlike other filmmakers, who just sign her for glamorous attributes. Vivek’s comedy tracks are really enjoyable but can be better if he avoids his double-entendres. It’s obvious that he has been coming up with similar shows from his previous films. Radha Ravi, Nasser and Manorama have played their roles well. Prakash Raj is simply outstanding as he gets a powerful role to perform after his magnum opus Ghilli. For sure, this will be one of the greatest milestones in his career.

Just watch out for his performance during the penultimate sequences and while playing the fool with Surya on the chase, he is just superb. Devi Sri Prasad strikes with pleasing melodies as almost all the songs have been tuned out well. Especially, the numbers ‘Kadhal Vandhale’ and ‘En Idhayam’ wins hands down.

Cinematography and editing have been put to use with the best results as these technical arenas add momentum to the screenplay. Hari deserves a special mention for establishing brilliant characters as even the minor roles have their importance. Hats off to production designers as they have perfectly managed to complete such a brilliant film within such a short span of time, Avoidance of unnecessary expenses makes the film look sleek which is commendable.

Singam is sure to be one of the best top-drawers of 2010 and the producers will surely be elated as it brings them profits to unexpected levels.

Tamil Movie Review Pen Singam

Banner: Nandini Arts
Production: J P Murugesan
Direction: Bali Srirangam
Actors: Richard, Udhay Kiran, Meera Jasmine and others
Music: Deva

Kalainyar Karunanidhi’s previous releases had more vitality over literature based arenas and it wasn’t really a convincing show for the present age audiences. It looks like; it’s the time now as Kalainyar recognizes the importance of commercial values. ‘Pen Singam’ has the blend of Kalainyar Karunanidhi’s aesthetic touch of dialogue with commercial ingredients. But again, it’s a mediocre as the dialogues and style of presentation faintly reminiscences the yesteryear work ‘Paasa Paravaigal’ of the same author.

An honest forest officer by nature, Surya (Udhay Kiran) falls in love with his sweetheart Megala (Meera Jasmine), who aspires to become an IPS. And then, there is yet another parallel line of a Tamil rhetorician, who makes his student Prabhavathy (Sudarshana Sen) fall for him with his socially activating speeches. Soon they get married as a conflict breaks open when the true colors are exposed. Instantaneously, Prabhavathy is murdered and Surya is framed for the act. Now it’s up to his mother (Rohini), a judge, who gets down to advocate for him and his ladylove Megala to prove of his innocence and trap the real culprit.

The film has lots of dialogues that turn to be major constraint as the youngsters may not like after a certain extent. However, the middle aged groups may have some regards for the same aspects as they have lots of reasons to admire the lengthy lines. The filmmaker has somehow managed to insert the commercial elements like Vivek’s comedy tracks, the cameos of J.K. Riteesh and Rambha that are mediocre.

Nothing special to mention about the technical aspects as they stumble down badly on all vistas…

The musical score by Deva is same as before and cinematography lacks clarity at many places.

The best part in this film is good casting as every actor breathes lives into the character they have performed.

Meera Jasmine can wait for awards as she emotes with her earnest efforts and her performance is flawless. Richard looks slightly doubtful on his mannerisms at certain points while Udhay Kiran does as instructed.

What works: Meera Jasmine, Karunanidhi’s screenplay, Casting
What doesn’t work: Same-old touch of medieval cinema, technically not convincing and cliched proceedings.

Surya – Jyothika blessed with a baby boy

http://www.tamilwire.com/23439-surya-jyothika-blessed-baby.htmlSurya+-+Jyothika+blessed+with+a+baby+boy+2010-06-08+23%3A09%3A36kishaan

It’s turning out to be a celebration for the entire family of Surya as his wife Jyothika gave birth to a boy child. Jyothika delivered the child around 4 this morning (June 7) at Apollo Hospital. Surya and Jyothika got married on September 11, 2006 and were blessed with a beautiful baby girl Diya. Now, they are elated to have a new arrival in their family.

Surya must be the happiest man in the whole world at the moment, (just as he utters the same words as his film ‘Sillunnu Oru Kadhal’ of yesteryears). Both his career and family life are going great guns now. He has been striking gold with continuous successes in all his films and is awaiting for more triumphs for his upcoming projects – ‘Raktha Charithra’, ‘7 AUM ARIVU’ and ‘Businessman’.

We convey our heartiest wishes to Surya and Jyothika and wish them all happiness throughout their lives.

Marriage not now: Shriya

Shriya Saran, who is a strong believer in the institution of marriage, is however not in a hurry for wedding. “I will surely enter wedlock when I find the right man,” she says.

Saying she is yet to find her man, the actress adds: “I believe no one should be forced for love and marriage. At the same time, I do believe in the institution of marriage and commitment as well.”

On her Telugu comeback ‘Don Seenu’, in which she is acting opposite Ravi Teja, Shriya says, “It is a nice script which has a very strong character for me. I love Tollywood and I am happy to be back.”

Throwing light on her fitness secret and the stress-busting activities she undergo, the actress says, “I do yoga, work out, swim, and try to think positive. These things would keep any person in the earth happy and fit.”

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KUTRA PIRIVU Cast & Crew
Director: Manmohan
Music Director: Chakri
Cast: Srikanth,Prithviraj ,Kamalinee Mukherjee

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The Story : Kutra Pirivu film is a dubbed version of Telugu flick ‘Police Police’ that features Prithviraj and Srikanth in lead roles with Kamalini Mukherji in female lead. It is interesting episode in the lives of two young, dynamic police officers Srikanth and Prithviraj.

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Ravana tamil movie 2010

Mythological Movie
Cast and Crew
Cast: Vikram as Veera, Aishwarya Bachchan as Seetha, Karthik Muthuraman as villain,Prabhu, Prithviraj as Rama, Priyamani, Bipasha Basu as raavana’s wife, Munna, Kishore,Vaiyapuri

Director: Mani Ratnam

Producer: Mani Ratnam

Music Director: A R Rahman

Release Date: 18 Jun 2010
Genre: Mythological
Language: Tamil

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The Story : Raavan story is about a Raavan (Vikram) who is waiting for a chance to take revenge on a police officer Ram (Prithviraj) who was responsible for the death of his sister. At the same time Ram gets married to his love Janaki (Aishwarya Rai).

But on the very next day of the marriage Raavan kidnaps Janaki and takes her away. Later Janaki comes to know of the real Ram and falls in love with Raavan. In the end after a fiery duel Raavan Vikram loses to Ram Prithvi. But when Ram wanted to take Janaki back home she refuses to go and stays with Raavan.


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